Released in 2025 under the direction of Mohit Suri, Saiyaara presents itself as an ambitious attempt to revisit the romantic musical melodra...

Watching Sobibor (2018) means facing a narrative suspended between the triumph of historical resistance and the risks of an aesthetic that, ...

Watching New York, I Love You feels like walking through Manhattan catching brief flashes of affection: there’s charm, but also a stab of fr...

There’s something both nostalgic and daring about The Fantastic Four: First Steps (2025), as if Marvel has finally realized that the Fantast...

Until Dawn (2025), directed by David F. Sandberg, is one of those projects that sounds more promising on paper than it turns out to be on sc...

Few films capture violence and social control as firmly as The Hunger Games. While watching it, I felt a clear duality: on the one hand, the...

I watched War of the Worlds (2025) curious about its use of the screenlife format—that style of storytelling that unfolds entirely within sc...

The film A Normal Woman (2025), directed by Lucky Kuswandi, begins with a familiar premise — a seemingly successful woman begins to emotiona...

Ondine (2009), directed by Neil Jordan, is a film that delicately balances emotional realism with the enchantment of Celtic mythology. Set a...

The film Kingdom (2025), directed by Gowtam Tinnanuri and starring Vijay Deverakonda, is a clear example of how Indian commercial cinema—par...