Released in 2025 under the direction of Mohit Suri, Saiyaara presents itself as an ambitious attempt to revisit the romantic musical melodra...

Watching Sobibor (2018) means facing a narrative suspended between the triumph of historical resistance and the risks of an aesthetic that, ...

There’s something both nostalgic and daring about The Fantastic Four: First Steps (2025), as if Marvel has finally realized that the Fantast...

Ondine (2009), directed by Neil Jordan, is a film that delicately balances emotional realism with the enchantment of Celtic mythology. Set a...

Few films capture violence and social control as firmly as The Hunger Games. While watching it, I felt a clear duality: on the one hand, the...

The film Kingdom (2025), directed by Gowtam Tinnanuri and starring Vijay Deverakonda, is a clear example of how Indian commercial cinema—par...

I watched War of the Worlds (2025) curious about its use of the screenlife format—that style of storytelling that unfolds entirely within sc...

The film A Normal Woman (2025), directed by Lucky Kuswandi, begins with a familiar premise — a seemingly successful woman begins to emotiona...

Watching New York, I Love You feels like walking through Manhattan catching brief flashes of affection: there’s charm, but also a stab of fr...

Until Dawn (2025), directed by David F. Sandberg, is one of those projects that sounds more promising on paper than it turns out to be on sc...